Audio pre-production for large custom configured venues is always a challenge. The mix cannot be made onsite because it’s always busy and in regular audio production fascicles like studios and with headphones the loudspeaker formats normally just match to standard formats like Stereo, 5.1, and 7.1.4. Another issue is how to check and play it finally onsite. What kind of master is requested. The workshop will offer an example and workflow how deal with and solve all this issues.
How to train a Spatial Audio Dome







