{"id":12686,"date":"2023-08-30T17:19:13","date_gmt":"2023-08-30T15:19:13","guid":{"rendered":"https:\/\/www.leatcon.com\/?p=12686"},"modified":"2023-09-01T14:22:44","modified_gmt":"2023-09-01T12:22:44","slug":"drum-recording-with-ribbon-microphones","status":"publish","type":"post","link":"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/","title":{"rendered":"Drum Recording with ribbon microphones"},"content":{"rendered":"<figure><img loading=\"lazy\" decoding=\"async\" class=\"content-img alignnone wp-image-12645\" src=\"https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1.jpg\" alt=\"\" width=\"1024\" height=\"536\" srcset=\"https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1.jpg 1024w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-300x157.jpg 300w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-768x402.jpg 768w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-150x79.jpg 150w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-565x296.jpg 565w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-640x335.jpg 640w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1-764x400.jpg 764w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p>Ribbon microphones are well established in the studio, but their versatility is often misunderstood. We talk to producer and engineer Helge Preuss (Joris, Silbermond, Fury in the Slaughterhouse, among others) about why and how he uses the diverse range of AEA ribbon microphones on the drum set, what makes the AEA R88 so special, and what experiences he has gained in his workshops with AEA. You&#8217;ll also learn why ribbon mics are absolutely not &#8220;one trick ponies&#8221;, but a good option in many areas of recording. Caution: Could contain traces of valuable tips and creative ideas!<\/p>\n<p>Drum Recording with Ribbon Microphones<\/p>\n<p>When: 10\/17\/2023<br \/>\nTime: 12:15 &#8211; 12:45 p.m.<br \/>\nStage: Gear Corner<\/p>\n<p class=\"align-center\"><a href=\"https:\/\/tickets.leatcon.com\/de\/public\/studioszene?utm_source=Website&#038;utm_medium=Blogpost&#038;utm_campaign=Early+Bird+Ticket&#038;utm_id=Studioszene\" target=\"_blank\" rel=\"noopener\"><span class=\"bold\"><a class=\"dm-button button class-button-two\" href=\"https:\/\/tickets.leatcon.com\/de\/public\/studioszene?utm_source=Website&utm_medium=Blogpost&utm_campaign=Early+Bird+Ticket&utm_id=Studioszene\" alt=\"Get Your Ticket!\" target=\"_blank\">Get Your Ticket!<\/a><br \/>\n<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ribbon microphones are well established in the studio, but their versatility is often misunderstood. We talk to producer and engineer Helge Preuss (Joris, Silbermond, Fury in the Slaughterhouse, among others)&#8230;<\/p>\n","protected":false},"author":22,"featured_media":12645,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[162],"tags":[],"coauthors":[154],"class_list":["post-12686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-studioszene-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Drum Recording with ribbon microphones - LEaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drum Recording with ribbon microphones - LEaT\" \/>\n<meta property=\"og:description\" content=\"Ribbon microphones are well established in the studio, but their versatility is often misunderstood. We talk to producer and engineer Helge Preuss (Joris, Silbermond, Fury in the Slaughterhouse, among others)...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/\" \/>\n<meta property=\"og:site_name\" content=\"LEaT\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-30T15:19:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-01T12:22:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.leatcon.com\/app\/uploads\/2023\/08\/SZ23-Speaker-Helge-Preuss_1200x628-1024x536-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/\",\"url\":\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/\",\"name\":\"Drum Recording with ribbon microphones - LEaT\",\"isPartOf\":{\"@id\":\"https:\/\/www.leatcon.com\/#website\"},\"datePublished\":\"2023-08-30T15:19:13+00:00\",\"dateModified\":\"2023-09-01T12:22:44+00:00\",\"author\":{\"@id\":\"https:\/\/www.leatcon.com\/#\/schema\/person\/d6823f6123e4ca0cdfecb7b18852aeb4\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.leatcon.com\/en\/leat-con-26\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Drum Recording with ribbon microphones\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.leatcon.com\/#website\",\"url\":\"https:\/\/www.leatcon.com\/\",\"name\":\"LEaT\",\"description\":\"Live, Entertainment and Technology\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.leatcon.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.leatcon.com\/#\/schema\/person\/d6823f6123e4ca0cdfecb7b18852aeb4\",\"name\":\"Redaktion\",\"url\":\"https:\/\/www.leatcon.com\/en\/author\/d-heilmann\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Drum Recording with ribbon microphones - LEaT","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.leatcon.com\/en\/studioszene-en\/drum-recording-with-ribbon-microphones\/","og_locale":"en_US","og_type":"article","og_title":"Drum Recording with ribbon microphones - LEaT","og_description":"Ribbon microphones are well established in the studio, but their versatility is often misunderstood. 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