{"id":16546,"date":"2024-06-27T16:28:52","date_gmt":"2024-06-27T14:28:52","guid":{"rendered":"https:\/\/www.leatcon.com\/?post_type=mp-event&p=16546"},"modified":"2024-09-11T18:18:54","modified_gmt":"2024-09-11T16:18:54","slug":"how-to-train-a-spatial-audio-dome","status":"publish","type":"mp-event","link":"https:\/\/www.leatcon.com\/en\/timetable\/event\/how-to-train-a-spatial-audio-dome\/","title":{"rendered":"How to train a Spatial Audio Dome"},"content":{"rendered":"

*Deep Dive Workshop*<\/p>\n

Audio pre-production for large custom configured venues is always a challenge. The mix cannot be made onsite because it\u2019s always busy and in regular audio production fascicles like studios and with headphones the loudspeaker formats normally just match to standard formats like Stereo, 5.1, and 7.1.4. Another issue is how to check and play it finally onsite. What kind of master is requested. The workshop will offer an example and workflow how deal with and solve all this issues.<\/p>\n

\"Tom<\/figure>\n

Speaker:
\nTom Ammermann | founder, general manager, and visionary behind New Audio Technology<\/p>\n

Sprache:
\nEN \/ DE<\/p>\n

Wo?
\nLEaT Academy Space 2<\/a><\/p>\n

Info:
\nDieser Workshop findet inhaltlich aufbauend auf die Keynote von Tom Ammermann statt (es ist jedoch nicht erforderlich, an beiden Programmpunkten teilzunehmen). \/\/ Info: This workshop builds on the content of Tom Ammermann’s keynote (however, it is not necessary to attend both parts of the program).<\/p>\n

\n

Teilnahme-Hinweis:<\/span>
\nF\u00fcr die Anmeldung zu diesem Angebot ist ein Insights-Ticket erforderlich. \/\/ Note on participation: An Insights ticket is required to register for this offer.<\/p>\n

\"Jetzt-Ticket-sichern\"<\/a><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Audio pre-production for large custom configured venues is always a challenge. The mix cannot be made onsite because it\u2019s always busy and in regular audio production fascicles like studios and with headphones the loudspeaker formats normally just match to standard formats like Stereo, 5.1, and 7.1.4. Another issue is how to check and play it finally onsite. What kind of master is requested. The workshop will offer an example and workflow how deal with and solve all this issues.<\/p>\n","protected":false},"author":11,"featured_media":16224,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","mp-event_category":[207],"mp-event_tag":[216,232,209],"coauthors":[30],"class_list":["post-16546","mp-event","type-mp-event","status-publish","has-post-thumbnail","hentry","mp-event_category-23-10-2024","mp-event_tag-audio","mp-event_tag-content-creation","mp-event_tag-leat-con","mp-event-item"],"yoast_head":"\nHow to train a Spatial Audio Dome - LEaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leatcon.com\/timetable\/event\/how-to-train-a-spatial-audio-dome\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to train a Spatial Audio Dome - LEaT\" \/>\n<meta property=\"og:description\" content=\"Audio pre-production for large custom configured venues is always a challenge. 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