{"id":16355,"date":"2024-06-26T12:21:12","date_gmt":"2024-06-26T10:21:12","guid":{"rendered":"https:\/\/www.leatcon.com\/?post_type=mp-event&#038;p=16355"},"modified":"2024-08-15T11:58:53","modified_gmt":"2024-08-15T09:58:53","slug":"glastonbury-big-sound-and-the-art-of-noise","status":"publish","type":"mp-event","link":"https:\/\/www.leatcon.com\/en\/timetable\/event\/glastonbury-big-sound-and-the-art-of-noise\/","title":{"rendered":"Glastonbury: Big Sound and the Art of Noise"},"content":{"rendered":"<p>*Presentation*<\/p>\n<p>What challenges does the sound designer of the Glastonbury Festival, Simon Honywill, face? &#8220;It starts with the unusual shape of the field &#8230;&#8221;. In his presentation &#8220;Glastonbury &#8211; Big Sound and the Art of Noise&#8221;, he sheds light on the complex sound solutions of the world-famous festival and talks about sound distribution, handling and emissions, among other things.<\/p>\n<figure><img loading=\"lazy\" decoding=\"async\" class=\"content-img alignnone wp-image-16072\" src=\"https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-1024x683.jpg\" alt=\"Simon Honywill\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-1024x683.jpg 1024w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-300x200.jpg 300w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-768x512.jpg 768w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-1536x1024.jpg 1536w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-150x100.jpg 150w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-565x377.jpg 565w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-1500x1000.jpg 1500w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-1150x767.jpg 1150w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-640x427.jpg 640w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web-600x400.jpg 600w, https:\/\/www.leatcon.com\/app\/uploads\/2024\/05\/LEaT-con_Simon-Honywill_web.jpg 2046w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<p>Speaker:<br \/>\nSimon Honywill | Live Sound Specialist, FOH Engineer, Sound Consultant at The Sonic Guru<\/p>\n<p>Sprache:<br \/>\nEN<\/p>\n<p><span class=\"italic\">presented by Audio-Technica<\/span><\/p>\n<hr \/>\n<figure><a href=\"http:\/\/tickets.leatcon.com\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"content-img alignnone wp-image-13327\" src=\"https:\/\/www.leatcon.com\/app\/uploads\/2023\/09\/Jetzt-Ticket-sichern-Button-580x141-1.png\" alt=\"Jetzt-Ticket-sichern\" width=\"200\" height=\"49\" srcset=\"https:\/\/www.leatcon.com\/app\/uploads\/2023\/09\/Jetzt-Ticket-sichern-Button-580x141-1.png 580w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/09\/Jetzt-Ticket-sichern-Button-580x141-1-300x73.png 300w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/09\/Jetzt-Ticket-sichern-Button-580x141-1-150x36.png 150w, https:\/\/www.leatcon.com\/app\/uploads\/2023\/09\/Jetzt-Ticket-sichern-Button-580x141-1-565x137.png 565w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>What challenges does the sound designer of the Glastonbury Festival, Simon Honywill, face? &#8220;It starts with the unusual shape of the field &#8230;&#8221;. In his presentation &#8220;Glastonbury &#8211; Big Sound and the Art of Noise&#8221;, he sheds light on the complex sound solutions of the world-famous festival and talks about sound distribution, handling and emissions, among other things.<\/p>\n","protected":false},"author":11,"featured_media":16072,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","mp-event_category":[207],"mp-event_tag":[216,209],"coauthors":[30],"class_list":["post-16355","mp-event","type-mp-event","status-publish","has-post-thumbnail","hentry","mp-event_category-23-10-2024","mp-event_tag-audio","mp-event_tag-leat-con","mp-event-item"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Glastonbury: Big Sound and the Art of Noise - LEaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leatcon.com\/timetable\/event\/glastonbury-big-sound-and-the-art-of-noise\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glastonbury: Big Sound and the Art of Noise - LEaT\" \/>\n<meta property=\"og:description\" content=\"What challenges does the sound designer of the Glastonbury Festival, Simon Honywill, face? &quot;It starts with the unusual shape of the field ...&quot;. 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