{"version":"1.0","provider_name":"LEaT","provider_url":"https:\/\/www.leatcon.com\/en\/","author_name":"Lena","author_url":"https:\/\/www.leatcon.com\/en\/author\/lena-vossebnermedia-de\/","title":"How to train a Spatial Audio Dome - LEaT","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NjdmXBerjh\"><a href=\"https:\/\/www.leatcon.com\/en\/timetable\/event\/how-to-train-a-spatial-audio-dome\/\">How to train a Spatial Audio Dome<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.leatcon.com\/en\/timetable\/event\/how-to-train-a-spatial-audio-dome\/embed\/#?secret=NjdmXBerjh\" width=\"600\" height=\"338\" title=\"&#8220;How to train a Spatial Audio Dome&#8221; &#8212; LEaT\" data-secret=\"NjdmXBerjh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.leatcon.com\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.leatcon.com\/app\/uploads\/2024\/06\/LEaTcon_Tom-Ammermann_web.jpg","thumbnail_width":2046,"thumbnail_height":1364,"description":"Audio pre-production for large custom configured venues is always a challenge. The mix cannot be made onsite because it\u2019s always busy and in regular audio production fascicles like studios and with headphones the loudspeaker formats normally just match to standard formats like Stereo, 5.1, and 7.1.4. Another issue is how to check and play it finally onsite. What kind of master is requested. The workshop will offer an example and workflow how deal with and solve all this issues."}